So someone suggested this iPhone app called Bebot, a $2 bucks synthesizer, which has the same “potential” as the $3000-$5000 Haken continuum!  The thing which intrigued me (and similar carnatic music fans) is that it can generate pitches not boxed in set western keys, but all the intervening pitches, and thus making it potentially amenable to the gamakas of carnatic music. What intrigued me more was that it was only two bucks :) ! It certainly is the best iPhone app I have .

Long story short – no, i could not produce Carnatic music in it – it probably requires very very expert hands, and possibly a larger screen in order to achieve the required fine control  (yes, the poorly named iPad would be one).  It is technically possible to do some simple tunes with gamakas but requires a lot of perseverance and effort.  But it can do, is let you create some really cool and interesting music just goofing around, and can keep young and old occupied.  Mucho, mucho impressive for just 2 freaking bucks!

The touch interface of iPhone (and my iPod Touch) is superbly suited for this kind of a musical instrument.  You move your finger left to right and pitch increases, you move up and down and the timbre changes and thus by just making arbitrary patterns one can create very interesting music.  You can add echo, overdrive effects to. And, I love the fact that you could set up various scales, and of course within an hour I had set up many of the Carnatic based scales – and when played with classic western sounds, one can produce very spacey kind of music.

Here is a sample I generated which uses 5 scales of Carnatic ragas. I have termed it a “roguamalika” – yes rogue form of ragas strewn together ;) !

Obviously it sounds wild and haphazard, as there was really not much thought into producing it, and is a result of mostly haphazard patterns with my finger on the touch screen!!!! Can you guess the 5 ragas? Select the text below for the answer:

  1. Amrtavarshini (S G3 M2 P N3 S or   C E F# G B ),
  2. mOhanam ( S R2 G P D2 S or   the major pentatonic)
  3. HamsanAdam ( S R2 M2 P N3 S or  C D F# G B )
  4. AbhOgi  ( S R2 G2 M1 D2 S or  C D Eb F A )
  5. (old) udayacandrikA or SrOTaswani ( S G2 M1 P N3 S or C Eb F G B )

Here is the 11th one in the series (click here for the 10th one). This one is a reasonably popular (and very attractive) raga, although running into elaborations i.e. alapana, neraval and kalpanaswaras is rare . You may run into an occasional alapana and even kalpanaswaras, but a neraval? Now, that I believe is quite rare! So here is it is, a neraval in this beautiful raga. The krithi I believe is an unknown one, and so I have left the neraval line as-is as I do not think it would give the raga away to most of you.

Can you guess the raga?

For the answer (and some analysis): click here

After a brief hiatus (job change, new schedule etc. ete.), here is the tenth one in the series (click here for the ninth one).

This is actually a well known, charming and beautiful raga – but this still is rare and special (at least to me!) It should be fairly easy to identify I think. If you are on the right track, there is only one answer. If you are in the right neighborhood, there are only two possible answers! If did get it right,  and before you read the ensuing analysis below, give some thought into why you were able to identify it and not be misdirected. I would be interesting in knowing your reasoning and intuition.

So here it goes.

Note: I have “masked out” the refrain line of the kalpanaswaras out with a tampura sound  to not give things away (although I think the krithi is rare). I  know it is odd – hopefully it does not affect your listening pleasure and interfere with your thought process too much!

(Audio Courtesy: Sangeethapriya)

So, can you guess the  raga and the artist?

(answer below)
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